Two postings in one day. I must have a lot free time.
The Carps released their 2nd "Digital 45." This was recorded and mixed by yours truly and is available on iTunes today. Buy it, or at least take a listen.
I mixed a song that was a collaboration between Midnight Magic and Tommie Sunshine. The track will be coming out on Ultra. Here are some links to wet your palet until "I Found Love" comes out.
VHS or Beta were in the studio this past week. Their new album is sounding awesome. They came to track drums, which were performed by Jim Orso. He can be seen here listening back to a take.
Of course we recorded some synths. In particular the EML, along with the Super Jupiter, CS60 and CS5. We even recorded some acoustic guitar and rhodes. Additional pictures of Mark, Craig and myself below. A great time was had by all and I look forward to working with them again. If you are interested in finding out more about VHS or Beta you should check out their website: vhsorbeta.com There you can find any link you need to stay up to date.
The computer is the least exciting piece of gear, but its also one of the most important. The studio has recently updated all of our software. This was a bit overdue. Here is a list of updates.
Logic updated to 9
OS updated to Snow Leopard
Firmware update for the Apogee Symphony system.
Everything is running much smoother now. Especially the converters.
Pro Tools 9 Native was installed today! Now clients have the option of running Logic or Pro Tools. Thanks to Avid for finally going native! We can now seamlessly switch between Logic and Pro Tools. Pro Tools 9 native also allows us to use all 32 channels of IO.
Rubblebucket is in the studio for a couple days of tracking. Eric Broucek is producing. We are doing a lot of live tracking. Drums, bass, guitar, keys, percussion and scratch vocals are all being recorded at the same time. Because Rubblebucket has such talented musicians and are so well rehearsed, it makes this possible. This has also required the use of every mic cable, stand and preamp in the studio and made for a complex patchbay.
Today we had a percussionist. He seems to own one of everything.
The keyboardist brought in a Hammond. We have a leslie which has never been hooked up to a hammond at the studio before, oddly enough. We use it for other things. We have so many keyboards already its hard to make room for more.
The Carps were in the studio recording a 4 song ep. Jahmal Tonge brought in his sexy vintage vistalite drum kit cut his tracks with.
Neil White can be seen here laying down an overdub on an EMS polysynth.
It was also a joy to mix this at Plantain. Look for this coming out on UrbNet Records.
This past week Cold Cave was in the studio working on their forthcoming album for Matador Records with Chris Coady producing. Chris had booked the band here to take advantage of the studios vast synth collection. We also recorded guitar, bass, and drums.
A few images below:
Chris travels with his own rack of outboard gear which can be patched into our producers panel. This allows his gear to be integrated with the studios patch bay. He has some really interesting gear that he likes to use. However; I think its way more fun to show you the image of all the cabling. We actually ran out of mic cables and had to buy more during the session.
I never talk about the guitar and bass amps at the studio. Guitar happens to be my instrument. We have a wonderful vintage Vox AC 30 that was used for all of the guitars. The guitar of choice was a Fender Jazzmaster. For bass we have a a moded late 60's Ampeg B15 that we can use as a DI, but also works nice with a speaker cab. The bass of choice was a vintage P-Bass.
Chris and I were patching a hi hat sound together. We were using the SH-101, Chris's custom modular synth, and the System 100m. It looks hilariously complicated, but sounded awesome.
On October 5th I posted, "New Track WIP." That day sounclound was down and I wasn't able to upload it. Since then I have finished the track. For more information about the track, check that post here. Jupiter's Many Moons by Today@Plantain
I'm working on one of my own tracks and incorporating some synths that I haven't used much before. Everything was recorded at the studio. No plug-ins or soft synths were used. Ok. there was one soft synth. Unfortunately, we don't have a mellotron. So I used the Mtron plug-in for the choir sound.
The live drums were played by my good friend Guy Licata. I pushed the drum compression a little harder than I normally would because I just bought a Fatso Jr. I really like the toughness that it added to the drums. There will be vocals on this track soon. For now, I played guitar for the vocal melody.
Drums- Live
Bass- Super Jupiter (gotta love that dual layer mode!)
Arpeggio- Juno 60
5th synth lead- Yamaha CS60 (gotta love that ribbon controller for pitch!)
Freak out synth solo- TOP SECRET
Bridge pads- Sid Station
Super Jupiter
CS60
Well, it appears Soundcloud is down on the one day I try update the blog. Check back in the coming days for the track.
We had The Golden Pony in the studio this weekend. Michael Bell from the band Lymbic System was recording live drums. We set up the Simmons pads for him to go nuts on. We'll edit later. We had a lot of fun and it sounded awesome.
We recorded Reggie Watts at Plantain yesterday. Today @ Plantain- Yesterday @ Plantain . . . oh well. He was working on some top secret shit that I can't tell you about yet, but its going to be big. Really big! Therefore you must check this blog everyday until its revealed.
Friends of mine have come up with an interesting new product that allows you to integrate all those cool music apps into a more professional and usable interface.
Hello friends and family!
Ali and I have been hard at work the past few months starting up a little project/company called New Signal Process.
We have been inventing/designing/engineering/hand-making these iPhone audio interfaces that allow you to play guitar, keyboards, sing, or record with a mic through an iPhone or iPad. Allowing you to use a myriad of sound effects and recording apps available for the iPhone.
We'd love for you to check out the website, send us any feedback or thoughts and please forward the email on to anyone you think might be interested in knowing about or getting one.
The Golden Pony EP is coming along. We finished another song called "Rabbit." No drum programming was done for this track. I wanted to record real drums so they sounded programmed. There is a Simmons SDS-5 track performed and layered onto the drum track. The Simmons SDS-5 is pictured below and you can learn more about it by clicking here. Also, pictured below is the Mu-Tron Bi-Phase. This is used on the hi-hats. "Rabbit" by the Golden Pony by Today@Plantain
We are very happy to have The Golden Pony in the studio. We are working on an EP here at Plantain. So far we have finished 2 songs. Below is a final mix of a song called "Girlfriend." We recorded, drums, bass, percussion and some of the synths. Enjoy! Here is their myspace page so you can be fan. http://www.myspace.com/thegoldenponynyc Girlfriend by The Golden Pony by Today@Plantain
I know I used the picture before. On top of the clav is a Roland System 100 modular. This was used for the bass in the track below. The System 100 is similar to a SH-101 but a bit classier. Maybe its the wood sides? Obviously you can get a bit crazier with the sounds on the modular, but I was looking for a simple, slightly filtered saw wave for this track.
Onto the mix. Once again no plug-ins were used. Everything except for the vocal was recorded at the studio. The vocal was recorded by the bass player in Tippy Toes, Andrew Raposo, at his Midnight Sun Studios. I love the drum sound on this one and will continue recording drums this way for a while. There drums were preformed by Guy Licata. Also of note is the violin, recorded with an old sure ribbon mic.
Take a listen: Love Mix 7-7 by Today@Plantain